Take Me to the Cheetah

Carrie's the only one who calls after one a.m., so I

know it's her before I answer.

            "Where?" I ask.

            "The condo."

            "Fifteen."

            I step into sweatpants, pull a T-shirt out of the

hamper, throw it over my shoulder.  Grab a six-pack out of

the fridge, and go.

            I need to get a life.  I need to get laid.  Quit

chasing goddamn lesbians all over town in the middle of the

night.

            Only one problem.

            I'm in love with Carrie Anderson, lover of women,

member of the rainbow brigade, lesbian with a capital "L." 

Carrie's stronger than I am, taller, too.  Never had sex

with a man, no desire to begin with me.  And, yes, I've

asked.  Begged.  Gave her my best young-Marlon-Brando

leather dude seduction.  She was kind enough not to laugh.

            I'm a fool.           

            And I'm on my way to rescue her, once again.

 

            She falls into the passenger seat, cussing.

            "Goddamn lesbians.  I'm sick of them," she says.  She

grabs my arm.  "Take me to The Cheetah.  Please--"

            "No more strip clubs for you," I say.  "You're

becoming an addict."

            She pouts.

            "I brought beer," I say, my thumb indicating the back

seat.

            "I told her about Sheila."

            "And?"

            "It's over."

            "With Sheila?"

            "No, Sam."

            It's hard to keep up. 

            Carrie pops open a beer, starts drinking without me. 

I realize the ramification of her news:  Carrie lives with

Sam; Carrie just broke up with Sam.

            "Come stay at my place," I say.

            Carrie puts her feet up on the dashboard, sinks low in

the seat.  "Dean, we're almost thirty.  Shouldn't you be

married or something?"

            I drive to The Cheetah.  Carrie shrieks as we pull in,

leans over and kisses my cheek, squeezes my knee.  "I love

you," she says.

            I slip my dirty T-shirt on as I get out of the car,

watching Carrie bolt for the front door, pulling her wallet

out of her back pocket.

           

            It's hard not to love Carrie at The Cheetah.  Outside,

in the ordinary world, Carrie slouches, minimizes herself,

avoids eye contact with strangers.  At The Cheetah, Carrie

struts, saunters, squares her shoulders like a man.  And

when the dancers come to her (and they always do) she

swivels her hips with theirs, tosses her shoulder-length

hair back, lengthens her neck, extending into the fullness

of her body, as if it's a foreign country she rarely

visits. 

            There's a blond D-cup dancing in front of me but I'm

watching Carrie, cash in her hand, half-naked strippers

circling her.  She looks at me and shrugs.  At The Cheetah

there's no reason to make choices.  She disappears behind

the curtain with two of them: lanky red-head and svelte

Asian.

            I stand up and follow, slip behind the curtain to

watch.  Carrie knows I do it; she's never told me to stop.            

The dancers take turns with her, writhing, teasing. 

Time has a way of shifting behind the curtain at The

Cheetah.  Seconds become minutes; minutes, hours.  I watch

as Carrie's breathing grows short, as she grips her thighs,

bites her bottom lip, clenches.  She's almost there, I can

tell; she's taken the incidental friction of the dance as

far as it can go; she's at the tipping point.  That's

when she does it.  Right at that instant, when Carrie's

there, but not there, when she needs something more than

the Cheetah girls can give, that's when she looks at me. 

She doesn't bury it, doesn't keep the moment for herself. 

No, not my Carrie.  When the universe expands and a second

becomes an eternity, Carrie stares right into my eyes,

gives it all to me.

Mary Lynn Reed's short fiction is forthcoming in
The MacGuffin, Karamu, and Happy. 
She lives in the Maryland suburbs of Washington, D.C.
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