Beats

The bodies keep passing, like ghosts, part of her and not part of her.

 

The first time, she's a child. Her grandmother gives her warm liquids and bundles her in knit blankets, as if she is a swaddled baby. The girl is sick, and it is coming out, the sickness. "It isn't your fault," her grandmother tells her.

 

The strong tea tastes like mown grass. Her grandmother's house smells old, safe. She watches dust motes inside a bar of light slicing

through the beige room. These motes are the only movement. Her

grandmother sits in a corner with her eyes shut. She may be sleeping, or praying.

 

Days, or hours go by. She can smell tomato soup. There's a tray of fig newtons on the bedside table. And now, the only movement is her grandmother's hands. The old woman's body is stiff, straight, in a captain's chair, but the long fingers move in and out. She's knitting a periwinkle scarf.

 

"There are things that happen, and we grow up and we forget about

them, but the one thing to remember," her grandmother says, "is that it isn't your fault. "

 

The covers are off now, but she won't get up and out of bed. Her

grandmother asks nothing, says nothing. She dreams about oceans

filling the world, and wakes up to see her grandmother watching her in the night.

 

"The one thing to remember," her grandmother tells her when the fever is gone, "is that there is no one hundred percent form of birth

control. Do you know my meaning?"

 

They eat tuna casserole and listen to the Lawrence Welk show play in another room. Her grandmother's hands shake, but it's from the Parkinsons. Her voice is gentle. "I don't know why they do it, but they do, " she says. That's all that's left to say. For dessert, angel

food cake.

 

***

 

Then, her grandmother is dead. Sometimes, she imagines the old woman listening to her thoughts, and she tries to think clean, but it doesn't work.

 

They move to another town. In this town, she wears black stockings and a jacket from the navy surplus store. She lies and says the jacket was her uncle's, that the bullet holes were his. She has a best friend. This friend is beautiful in Chinese slippers. Her shaved head makes her look like one of those sculptures you see carved out of marble, in museums.

 

They don't talk to others. They are more than blood sisters; they are

kindred spirits, twins. They decide to read only children's books.

"Have you ever noticed, " she tells her friend, "that the main

character in the young adult books is always some nice girl? I mean,

she's sensitive and smart, and her parents are fucked up but decent.

The main character is never the drug addict. She's never fucking her

father. It's her best friend who is fucking the father."

 

"So that would make you the main character," she tells her friend. She smokes clove cigarettes. When her period stops, she and her friend empty an aunt's liquor cabinet. "There," she says. "That'll do it. Now I won't be tempted, because who wants to give someone fetal alcohol syndrome?"

 

It's raining when she walks home. The next morning, she calls her best friend. " It was all a lie," she says. " You know that, right? "

 

***

She lies to a boy she falls in love with and tells him she's pregnant

when he leaves her. Then they have sex and when she does get pregnant, she doesn't tell him. She drinks milk, goes to bed on time, decides to be a good person. But this one passes through her in the night.

 

***

 

 

They go to doctors. Each time, she feels, it's a different person,

another soul. The one that can't get enough sweet and sour, the one that vomits and smarts, the one that makes her dizzy, the one that wants to stay up all night, polishing until the wood gleams. The one that wants to eat rich soil. Then there are the ones that aren't spirits at all; she thinks they are. There are no heartbeats with those, only the swoosh of the monitor. Every time, she tells. "Why do you tell? " Her husband asks her. " Wait, next time, just wait, okay? Wait until it sticks."

 

It's weird, those soulless clumps. And then there are two, two girls.

Twins. They swirl inside her. She imagines them, twins. And aren't

twins brilliant? And don't they speak their own language? And won't

they be beautiful, her twins, in brown and pink? She's always imagined

a girl, but two! It's magical, this luck. She wants them to have dark

hair and pale skin, her husband's Snow White coloring. Maybe they'll

have flower names, Daisy and Daffodil. Or, no, that's too frivolous,

they should have simple, elegant names. Ann. Emma. Clara. Marie. Or

Kate, for her grandmother. But what about the other girl? How can one

have the beloved name, and not the other? But the girls pass through

her.

 

This last one, though, has a name. Her husband calls him peanut. But

he has a name, she's given him one. He hiccups, he has hair, she can

feel it. This one, this one is bigger and better than all the other

souls. This one, he's going to take. When she says "hello" he kicks.

When she says "goodnight" he sleeps. They take home a video of the

sonogram, and she watches it every night. He somersaults, he rubs his

eyes, he wants out.

 

"Don't name him," her husband says, "not yet." But now it's almost time.

 

"I know it's hard," her husband says.

 

"It isn't hard at all, " she tells him. Nurses come to take her blood

pressure, her blood. They are waiting until she crashes to induce. She

has a room without a view, and a television angled towards the bed.

She watches biopics on the television. Her husband takes calls on the

cell phone, and worries about insurance. "Your husband needs to calm

down, for your sake," the nurse named Florence tells her. The nurses

are the only people she wants to see; they tell her the baby is

strong. When they say this, they call him "your baby."

 

"His name's David," she tells them.

 

The fat, pretty nurse in rainbow glasses brings her strawberry jello.

After a birth, you can hear the nurses hooting and hollering.

 

"It's as if they won a football game, isn't it?" She says to her

husband. He's in the corner, fielding calls.

 

Florence rubs Jergens lotion on the cracked marks where the monitor rests. These marks are the size of two small hand prints.

 

"Like his little hands," she says to Florence.

 

"His hands will be even smaller, " the nurses tell her.

 

"It must be hard," her husband says again.

 

"I don't care about the rest," she says.

Claudia Smith's stories have appeared in numerous literary journals and a few anthologies, including Redivider, Failbetter, Elimae, W.W. Norton's The New Sudden Fiction: Short-Short Stories From America and Beyond, and So New Media's Consumed: Women on Excess.  Her chapbook, The Sky Is A Well And Other Shorts, is available from Rose Metal Press (www.rosemetalpress.com) and Powell's online.
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