GUIDELINES:
FRESHMAN COMPOSITION PORTFOLIO
The portfolio is meant to gather your best writing into one place for
a collective grade (to count 3/5ths of the total course grade). From
the six papers you have written so far, you will have had an opportunity
in class to revise three separate papers and to discuss your revisions
with your classmates and/or the instructor. When you prepare the
portfolio to be handed in, check the following list to see if you've met
its requirements.
-
The portfolio itself should be a plain tan file folder with your name on
the tab (last name first, first name last). Do not use a binder,
a notebook, a plastic cover with a spine, staples, or other forms of binding.
Do use paper clips for the individual papers.
-
Enclose for each of the three revised papers both the draft with teacher
comments and evaluation returned to you earlier in the semester (no matter
what its condition may be after the revision process) and also the final
revised draft of the paper. In addition, enclose the other two unrevised
papers with comments and evaluation. There should be nine papers
in all in the folder.
-
Be sure the final drafts of the three selected papers have your name and
the date in the upper left hand corner of the first page, a title centered
below the name and date, and the text beginning two or three lines below
the title. Be sure the final drafts are typed or run off on a printer
with a dark ribbon and double-spaced.
-
Provide an annotated table of contents with your name and date--that is,
tell me what's in the portfolio and what you've done to it. Example
entry:
Communications Portfolio
Chuck Darwin
1) Communication #1: Frog Play (Acceptable Second Draft)
2) Communication #1: Frog Play (Revised Final Draft)
The second draft corrected major text preparation problems and focused
the conclusion more than it had been in the first draft. For the
portfolio, I revised the second draft by dropping the section on how my
brother broke his leg, which didn't need so much detail, and expanded the
explanation of what the frog play was about and how we got the frogs to
"act" in it. I also changed the ending again to keep it closer to
the performance.
3) Communication #2: Turtle Island (Acceptable Second Draft, Unrevised)
4) Communication #3: In the Rain Forest (Acceptable Third Draft)
Note: The portfolio grade will be given holistically to the three
revised papers and consider not only their individual merit but also the
degree to which the revision demonstrates that you are capable of making
significant improvement in an assignment over a series of drafts.
Neatness and correctness will count as evidence of your ability to prepare
a text for publication. Remember that you must have nine papers
(six evaluated originals and three unevaluated revisions) in order to get
full credit for the portfolio.
Steps for Revision
In the course of revising a paper which you have already handed in and
received back with instructor's comments, you should take the following
steps:
1) Re-read the assignment. Underline or emphasize
the key terms or major requirements of the assignment.
2) Re-read the paper (preferably out loud). Consider in
particular the ways it meets the major requirements of the assignment.
Try to write down in one sentence what the paper is about. Then write
in one sentence how the paper relates to the assignment. Be certain
that it does.
3) Read the instructor's comments. Try to understand what
they suggest in terms of concrete changes of organization, development,
style, and sentence structure.
4) If necessary, confer with the instructor for further clarification
of his comments.
5) Revise your paper on the copy of the paper returned to you,
in order to eliminate certain items and preserve those sections of the
paper worth preserving. (A revision is a change in the draft of the paper,
not a brand new draft on the same subject.)
-
Consider first what changes in organization or structure you need to make.
Indicate where you want things to go by numbering paragraphs or re-numbering
pages or making a new outline of phrases or sentences from existing paragraphs
together with hints of new paragraphs or using arrows, insert cues, and
other change indicators. Cross out what you no longer need or what
is irrelevant to the new structure.
-
Next consider development. Add new description, exposition, dialogue
and dramatization, and narration where necessary.
-
Next consider language. Read the paper carefully, aloud preferably,
and work to make sentences clear and direct. Make clear transitions between
ideas and major parts of the paper. Make certain the language at
the beginning of the paper (the "introduction") expresses concerns the
paper actually addresses. Make certain the language at the end of
the paper (the "conclusion") really relates to the material which has been
the central focus of the paper.
6) When you have re-structured, further developed, and clarified
the language of the paper, you have revised it. Now edit it by reviewing
the editorial comments on grammar, punctuation, and spelling, correcting
where indicated on the original material still extant in the revised paper
and reviewing the new material for the same mechanical problems. (Don't
bother correcting material you no longer want to use.)
7) Re-type the paper or type in changes to the computer copy.
Proofread it carefully, particularly reviewing it for the kinds of problems
of form the earlier draft displayed. Check it against all the text preparation
sheets you've filled out in the course. Run the spell-checking program
and grammar-checking program on your word processing program.
8) Check the formatting of the paper: double-spacing, titles,
author information, page numbers, hanging indentation where necessary,
and so on. Print out clean, clear copy and read it through for errors
one more time. Correct and reprint as necessary.
Return
to Course Description Page