JOURNAL ENTRIES FOR FRESHMAN COMPOSITION
 
Complete List of Required Journals Follows Individual Entries
 
Composition Journal #1:
A Speculation on a Map of Your Home Town
 
The first thing to do in this journal entry is to draw a map of your hometown.  If you haven't already done it in class, you should try to draw the map quickly, getting in the major streets and the most familiar locations.  Put boxes on the spots that are important to you--your house, your school, your first job, your first kiss, your best friend's house, your grandparents' house, your favorite hangouts.  Don't try to be very precise and exact--this isn't a course in cartography; just try to give a general impression of the layout of the environment and the location of places important to you.  After five or ten minutes of mapmaking, connect the sites on your map by connecting sites you'd take people to if you were conducting a walking or driving tour of the locations of your life or the places you'd go in a typical day.

Then react to the map.  What can you say about this layout and the tour you've set up?  Why are those locations important to the tour, to your life?  What kinds of memories do these places evoke?  Try to record or indicate as many incidents and impressions you can in about 25-30 minutes of writing.
 

Composition Journal #2:
A Speculation on Your Wallet or Billfold
 

Here's a simple way into thinking about who you are.  Take out your wallet or billfold or empty your purse or fanny pack on the desk or table in front of you.  What do you notice in the contents?  What kinds of things do you carry with you?  Itemize some of the contents and explain a little bit about what they are, where they came from, why you carry them around with you.  Then speculate for a few minutes on what a stranger would surmise about you if he or she found your wallet or billfold where you dropped it accidentally and started going through it to see what could be learned about you.  What would someone going through your wallet learn about you?  Who would they think you are--not just your name and address but your personality, your character--in a word, your identity?  Make these itemizations and speculations the basis for this journal entry.

 
Composition Journal #3:
A Speculation on Captioning Photographs
 

We talked in class about captioning photographs in a brief essay or journal entry.  I showed you some examples from the back page of Civilization Magazine, including a caption essay by Joyce Carol Oates in which she uses a picture of herself as a child and her mother to reflect on both the context of the photograph and the nature of photography's influence on memory; in another example Mark O'Donnell uses a photograph of himself and his twin brother as a jumping off place for a discussion of cloning and individuality.  In another example I gave you a handout that showed you my own response to two family photographs of my own, in which I tried to remember the context for the photographs and explain the relationships among the people in the picture then and now.

Taking these examples as a starting point, browse through your own photographs or personal pictures you remember particularly well, and write a journal entry of your own as a similarly extended caption to the photo you select.  What does the photo tell you or another viewer?  What does it make you think about the context of the photo (the circumstances under which it was taken) or the nature of photography as a cue to memory?  Write for 25-30 minutes on the caption and bring it and (if possible) your photograph to share and hand in during class next time.
 

Composition Journal #4:
A Speculation on Your Home Town

Most of you will have just finished a period of time in your home town; in some ways, you will have recently ended your life back home.  Spend a few minutes thinking about the images and impressions you have of your hometown--the scenes that come immediately to mind, the people, the activities, the atmosphere.  Who lives there?  What are they like?  What do they do with their work and play time?  How do they interact with each other and the basic needs of their community?  What are the major interests of the people in the community?  What are the primary influences on their lives--socially, economically, politically?

Once you've given yourself some time to think, place yourself among them.  What is your place in your hometown?  How do you fit in among those people?  Why do you fit in where you fit in?  Why don't you fit in somewhere else?  What scenes from your growing up and living in that place come to mind when you think about how you fit in?  If you decided either to quit college and go home or to go home after graduating from college, what would your life in your hometown be like?

 Consider these questions and let your speculations about the answers occupy your time writing this journal entry.
 

Composition Journal #5
A Speculation on Family Memories
 

Read the selections from The Detroit Free Press's "Michigan Memories" feature handed out in class.  The idea behind the department was to draw upon stories that people tell in their families about their parents and grandparents and ancestors and, in some cases, their own youth.  In most cases the stories that are told evoke a specific time and place, often one that an accompanying photographs tends to capture or suggest.
 
What are the stories that your family tells?  What can you think of that is a story about the family past? work experiences? travel? moving from place to place? adventures?  What stories from your family can you think of that remind you of a particular place in Michigan or a particular era?  (If you're not from Michigan, pick another place you know; if you don't have a family, pick something out of your own life.)

In this journal entry try to recall as many of these kinds of stories as you can.  If you get stuck after a few, try to think about whatever details you can add or where you could get more information on the stories you have or more stories of the kind you've been reading.  If you still feel stuck, just write about what you know about your family history.
 

Composition Journal #6
A Speculation on Heritage
 

 "Heritage" means "something that comes or belongs to one by reason of birth."  Thus, heritage means what is passed down from generation to generation in families, the inheritance of those things possessed by members of the family, whether they are family heirlooms (material objects) or physical characteristics or personality traits.  We all are the heirs of the genes, the attitudes, the personalities of our ancestors and predecessors.  "In our family people have always . . . ,"  a relative will begin and then remind us of stories of the behaviors and actions of distant family members.  Sometimes we are the heirs of negative behaviors and actions, sometimes we have difficulty tracing our heritage, but nevertheless, that is still part of our family heritage.
 
Heritage also has to do with what has been passed on by the community, the society, the neighborhood or village.  "In the Upper Peninsula," we say, "people have inherited the belief that . . ." or "the tendency to . . . "  Sometimes our heritage involves ways of seeing ourselves, for good or bad, that others have trained us to accept.  Sometimes we don't understand our heritage (maybe never understand it) and only know where we come from, what the family or community or neighborhood past was like.

In this journal entry explore for twenty-five minutes in writing your sense of family and community heritage, where you come from and what you think its impact on you has been.  Examine as many different aspects of your heritage or as many
different heritages as you can, trying to think of specific examples of people's behavior which reveal that heritage.
 

Composition Journal #7:
Speculating on Communication #1
 

Between now and the next class you will be completing a revision of Communication #1 and preparing to bring it to class for a session on text preparation.  Most of what you will be doing in class will involve low level presentation text preparation, not much revision of language or ideas, so the work-in-progress will be temporarily halted until after I read it and react to it and return to you with suggestions for further revision.  In this journal entry write for about twenty to twenty-five minutes about how you wrote this paper.  What was the process by which you went from initial idea to this draft?  What did you spend the most time doing on the work?  What was most difficult for you?  What was easiest?  What did you hope to achieve in telling this story or explaining these circumstances?  How well do you think you achieved what you set out to achieve?  If you were me, what would your reaction be to what you’ve accomplished so far?  What recommendations for further revision would you make?  Bring the journal entry to class and be prepared to hand it in with the paper.
 

Composition  Journal  #8:
A Speculation on Detecting Heritage
 

Take out your billfold or wallet, or empty the contents of your purse on a table.  Spread out the contents.  What would a detective learn from examining this evidence?  What would she learn from reading your driver’s license, your  Chip Card, your credit cards, your memberships?  What would she find if she tried to figure out who you are, where you come from, what your life is like, what your family is like, what they do and have done for a living, what your community is like and what your place or your family’s place in the community is?  Trace the evidence backwards:  don’t just note that you have blue eyes but determine where the blue eyes come from (or height or profile or name or place of residence).  You’re hunting for facts here, data, evidence—clues to your heritage.  Write as long as you can about the contents of your wallet.
 
 
 

Composition  Journal #9
A Speculation on Elements of Wordsmithery
 

By now you are supposed to have read the seven chapters of Wordsmithery  and completed your first Communication.  The chapters are filled with examples and advice about the composing process, including the chapter assigned for today on "Wordsmiths at Work," discussing how some writers have gotten through their work.  Think about all this in connection with your own writing on this paper.  What did you do to compose Communication #1?  What steps did you follow?  What strategies did you use?  Where'd the ideas come from?  Why'd you organize the paper in the way you did?  What point or conclusion were you trying to get across by the story you told?  How does the way you went about writing this paper compare with the ways people write in Wordsmithery?  What could you do differently on the next paper that might help you make it a better paper than Communication #1?  How good a paper is either Communication #1 or Communication #2 compared to work you've done in the past or work you're capable of doing?  Be specific about why you think that.
 
 
 

Composition  Journal #10:
A Speculation on Your Composing Process

 
Having just completed your second Communication, review for yourself how you went about writing it.  What process did you follow?  How did you decide what went into it?  How did you decide what to leave out?  How did you decide on the structure or organization?  Compare your composing here with your composing of your earlier paper.  What did you do that was similar, that was the kind of thing you usually do?  How was writing this paper different from writing the first paper?  Why?  How would you compare the two as pieces of writing?  Which is a better piece?  Why?  Which do you like best?  Why?
 
 

Composition Journal #11:
A Speculation on Captioning Culture
 

Select a picture from the advertisements offered (or from a self-selected advertising image, if you weren’t in class) and write a journal entry in which you examine what’s happening or what’s portrayed in the picture and how you react to it.  What do you suppose we are meant to understand about the world being illustrated, the relationships among the people in that world, the effect of the product being advertised on the nature of that world and those relationships?  Be specific in references to items in the picture.  Let your reflections of this image be the focus of this journal entry.
 
 
 

Composition Journal #12:
A Speculation on Your Sense of Images
 

In this journal entry you get a chance to explore the images of your culture, both in the sense of the culture that surrounds you individually in your daily life and the culture that surrounds us all through print and visual media.  When you think of images that are stuck in your head--magazine advertisements, billboards, television commercials, illustrations for articles, artistic photographs, paintings—what ones come to mind?  What products do those images endorse and how do you feel about the products?  What news photographs seem to stick in your mind and what events do those photographs illustrate?  What magazine covers do you remember?  Why?  What billboards? Why?  Reflect upon the images you respond to in this journal entry.
 

Composition Journal # 13
A Speculation on Exploring Images
 

        Here’s the journal entry to get you thinking about the way you composed Communication #3, the one on examining one, two, or three images.  This was a different kind of assignment than the two before it, not narrative but expository, descriptive, and analytical.  How did you go about composing this one?  What steps did you follow?  What difficulties did you face and how did you overcome them?  How would you compare this paper to the earlier ones you’ve written?  What do you think of your ability to closely examine and analyze an image?  Let your speculations on composing this paper fill this journal entry and hand the journal entry in with Communication #3.
 

Composition Journal #14
A Speculation on Research
 

        Very soon now it will be necessary to begin composing papers based primarily on research and other sources than your own experience and memory.  We’ll begin with research on the internet, with everyone writing an annotated bibliography of websites on a certain subject of your choice, drawn from the kinds of information presented in the video, America 1900.  Then you’ll write a paper based on the bibliography, the websites, and other research in print resources in the library.
 
        As a way of getting started write a journal entry exploring what you would be interested in researching. The two research assignments ask you to explore some aspect of American history or society in 1900 either as it was then, as it developed over the century, or as it appears today, in 1999.
 
        What are you interested in researching?  Be very specific about what you want to discover.  What do you know about the subject so far?  What more do you want to know about it?  Why?  Where will you get the information you need?  What kinds of information will you have to get?  If you have more than one potential research project, spend some time on developing your thinking about that topic too, to help you decide which is the more interesting, manageable, and fruitful line of inquiry.

        What experience do you have surfing the net?  What sites have visited or what kinds of sites have you been looking for?  What do you notice about the websites you’ve gone to so far?  How useful do you feel they would be if you used them for research?
 

Composition Journal #15:
Speculating on a Bibliographical Entry
 

         Below, I’ve attached the sample of an annotated bibliographical entry that accompanies your assignment.  For this journal entry, try writing one of your own.  By now you should be on the track of some topic that will serve as the focus for this bibliography and for the research paper to follow.  Locate one website that seems particularly promising and write an annotation of it that follows the format of the sample, gives details about what a web browser would find there, and explains how useful you think the site would be to someone visiting it for research.  If you don’t think that bibliographical entry goes very well, try a second one.  By the end of the class, make sure you’ve completed one entry and bring up any questions you have about the form you’re working in.
 
 

 
Composition Journal #16:
Speculating on a Bibliography
 
 

        Use this journal entry as a way of evaluating your progress on the bibliography.  For twenty-five minutes speculate about the nature of the websites you’ve been visiting.  What kinds of information are you finding?  How informative are the websites and how much are you learning about your subject?  How much of what you’re encountering is not very useful?  In what ways isn’t it useful?  Give me some examples of sites you think are valuable for anyone researching your topic and some examples of sites that you don’t think are valuable.  In either case be specific about why you think they are valuable or not.
 
        Now that you’ve reviewed as many sites as you have, what do you think you want to find on a valuable site?  What features would a really useful site have?  If you were creating a website on this topic, what would you put on it?
 
        Use your responses to these questions as a means of exploring and evaluating your progress on the annotated bibliography.
 

Composition Journal #17
A Speculation on Mid-Point Self-Evaluation
 

         You've gotten back the first three papers you've written in the course with my comments on them and you've completed journal entries discussing how you wrote them and text preparation sheets analyzing the problems that have surfaced in the papers.  In this journal entry, try to evaluate your writing so far:  what seem to be your strengths? your weaknesses?  what problems recur? what changes in the process of your composing would help your writing? what text preparation difficulties need to be overcome?  How do you think the next three papers will go?  Why?  How are you going to strengthen the weaknesses, bolster the strengths, solve the problems, and overcome the difficulties?  In other words, use this journal entry to assess where you are in the course and what you have to accomplish in order to either maintain or improve the quality of your work by the end of the semester.
 
 

Composing Journal #18:
A Speculation on Your Annotating Process

 
         As you have in the past, describe how you wrote Communication #4.   What process did you follow?  How did you decide what went into it?  How did you decide what to leave out?  How did you decide on the structure or organization?  Compare your composing here with your composing of your earlier papers.  What did you do that was similar, that was the kind of thing you usually do?  What did you do that was different, unlike what you did in the earlier papers?  What difficulties did you find with annotating as a form of writing? with  creating a bibliography rather than a narrative or problem-solving paper?  Hand this journal entry in with the Annotated Bibliography.
 

Composing Journal #19:
A Speculation on Your Topic
 

        Given what you’ve uncovered in your annotated bibliography, what do you feel you know or have learned about your topic.  If you were writing a research paper on this topic, what you write about?  Be very specific in explaining what you think you’d have to say about this topic based on what you’ve discovered on the internet.  Also explain what you think you’d have to learn about this subject using other resources.
 
        Use this journal entry as an occasion to evaluate what you think about the Internet as a resource for the topic you’re looking up.  Take some time to go into the Park Library database (http://www.lib.cmich.edu) and, under Research Databases, check out your topic in FirstSearch and General Reference Center Gold.  These are indexes to printed material.  As you compare what you’ve found on the Internet with what you’ve located in the printed material, does your picture of the topic change?  If so, how?  How would you compare Internet and print resources on the particular topic you’re investigating?  What are the limits of what you can find on the Internet?  What would the Internet need to provide to be a thoroughly valuable resource on the topic you’re researching?  If you choose to continue researching this topic, how necessary will it be to go off the Internet and into book and periodical printed material?  Be specific in your references to what you’ve found and need to find.  Write at least twenty-five minutes on this journal entry.
 

Composition Journal #20
A Speculation on Researching

 
        In the middle of composing this paper based on research take time out to review what you know.  In this journal entry tell me about the research you're doing, what you hope to discover or learn or prove, how you're going about, what progress you're making, what problems you're having and what you're doing to overcome them.  What changes, if any, in the way you write will you have to make to write this paper?  How do you think you're doing on it?
 

Composition Journal #21
A Speculation on Having Researched
 

         You're handing in the referenced communication, the small research paper.  How well did it turn out?  how satisfied with it are you?  what did you go through to compose this paper and how does it compare with the way you've been composing the other papers in the course?  what gave you the most difficulty?  how could you overcome that difficulty in the future?  what was the most pleasurable or the easiest part of this paper?  Why?  Knowing that you'll undoubtedly have to do a number of research papers over your college career, what advice would you give yourself about writing them, given your experience with this paper?
 

Composition Journal #22:
A Speculation on Revision
 

        You've gotten back Communications 1 through 5 and are just handing in Communication #6.  Review the first five papers by reading them through, consulting the comments in the margins, considering the text preparation sheets for them, and assessing how you feel about them as well as how well you did on them.  What could you do to revise these papers?  Which needs the most revision?  what would you do to it if had the opportunity to improve it?  Which needs the least revision?  Why?  If you had to pick three of the five papers you've written in the course to revise and hand in as a portfolio of your best writing this semester, which ones would you pick?  Specifically, how would you revise each of them?  what would be the effect of your revisions?  Be very specific.
 

Composition Journal #23:
A Speculation on Writing on Your Own
 

        The sixth paper is one you composed on your own.  You selected the topic, the approach, the attitude, the execution, the preparation.  How would you compare this paper to your other papers?  How well do you like this paper compared to your earlier papers?  What did you go through to write this paper?  Explain the process of composing Communication #6.
 
 

Composition Journal #24:
A Speculation on Self-Evaluation

         It is the final week of the course.  Review your writing, now that you are handing in the revision of your final paper.  What's good about your writing?  What are your strengths?  What are your weaknesses?  In what areas have you improved?  In what areas do you need improvement?

         Write a journal entry summarizing how you would evaluate your own writing.  What grade do you think you ought to get on it at this point in the course?  Why?  Is there anything you could have done to get a higher grade?  What, if there is?  Why not, if there isn't?  What do you need to do to improve your writing beyond where it is now?
 

Note on Journals: At the end of the semester students are expected to have completed Journal Entries 1-24 and to hand in Journals 1-24 in a tan file folder.  A complete listing of journal entries includes:
 

Students should use this as a checklist to see if they have completed the journal requirement.  See the description of journal keeping for a reminder of what is expected of journal entries.
 

Back to Journalkeeping Page
 

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