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Kristen
McDermott
Curriculum Vitae
Department
of English, Central Michigan University
Anspach
Hall, Mt. Pleasant, MI 48859
(517)
774-3364
email: krismcd@aol.com
|
TEACHING and WORK EXPERIENCE:
|
1999-present |
Central Michigan
University,
Assistant Professor of English: English Literature to 1800 |
|
1998-9 |
Spelman College,
Assistant Professor of English: Renaissance Literature and
Shakespeare |
|
1993-1998 |
Spelman College,
Lecturer, Composition, World and British Literature |
|
2000 |
Instructor: GRE
Preparatory Course, Verbal Section; McNair Post-Baccalaureate Program,
September 2000. |
|
1996-1999 |
Instructor: MCAT
Preparatory Course, Written Section; Spelman College Office of Health
Careers |
|
1993-1998 |
Instructor: GRE
Preparatory Course, Verbal Section; Spelman College Office of Science,
Engineering and Technical Careers |
|
1992-93 |
Adjunct Instructor,
Spelman College: First Year Composition, Renaissance Literature |
|
1987-1990
|
UCLA,
Teaching Assistant: Freshman Composition, Critical Reading and
Writing, Sophomore Survey: Medieval to 17th C., American Popular
Literature |
|
1984-86 |
Publicist, Lippin &
Grant, Inc., Los Angeles, CA |
|
1981-84 |
Publicity Assistant,
Solters, Roskin & Friedman, Inc., Los Angeles, CA |
EDUCATION:
|
1995 |
UCLA, Ph.D.,
English |
|
1988 |
UCLA, M.A.,
English |
|
1981 |
Furman University,
B.A., English/Drama, magna cum laude |
DISSERTATION:
“Locating Jonson in
Bartholomew Fair.” Director, Robert N. Watson
ACADEMIC ADVISING and
TEACHING:
|
2001-02 |
Thesis Chair, Vince
Locke, “Richard III in Historical Contexts” |
|
2001-02 |
Thesis Chair, Brett
Huddleston, “Shakespeare’s Descending King: The Roles of Parody, the Serio-Comic,
and the Carnivalesque in King Lear” |
|
2002-03 |
Thesis Committee,
David Phelps, “Mythic Filmmaking and Tolkien’s Lord of the Rings” |
|
2000-02 |
Thesis Committee,
Calvin Laur, “Hazlitt and Romantic Criticism of Shakespeare,” M.A.
candidate in English Language and Literature |
|
2000- |
Graduate Advisor,
Rachel Sump, Jeremy Hyland, M.A. in Language and Literature |
|
1999-2000 |
Mentor, CMU McNair
Post-Baccalaureate Program Scholar Tijuana Pittman,. Research Topic:
“Black Female Managers and the Advancement Process: Is There a Problem?” |
|
1997-99 |
Mentor, UNCF/Mellon
Fellows Scholar Erica Edwards. Research Topic: “Sisters of the
Renaissance: Mary Wroth, Sor Maria de la Antigua and Katherine Phillips.” |
|
1993-99 |
English Major Advisor,
Spelman College |
|
1997-99 |
First-Year Advisor,
Spelman College |
|
1995 |
Faculty Resource,
Spelman Spotlight (monthly newspaper) |
SCHOLARLY AND CREATIVE
ACTIVITY:
Articles and Books:
|
forthcoming |
Masques of
Difference: Power, Race and Gender in the Masques of Ben Jonson.
Student Revels Editions, gen. ed. David Bevington, Manchester University
Press (under contract). |
|
August 2003 |
"Shakespeare's Folklore and the English Holiday Cycle," Realms of
Fantasy
(read it
here
on the Endicott Studios "Mythic Journeys" online journal |
|
Spring 2002 |
“’To blanch an
Ethiop’: Jonson’s Masque of Blackness and Multicultural Approaches
to Early Modern Literature.” Language Arts Journal of Michigan. |
|
Spring 1998 |
“Staging the
Classroom,” Shakespeare 2 (1998): 5-6. |
|
Fall 1997 |
“’He may be our
father, perhaps’: Paternity, Puppets, Boys and Bartholomew Fair,”
in Critical Essays on Ben Jonson, ed. Robert N. Watson (New
York: G.K. Hall), 60-81. |
|
1993 |
“Versions of
Femininity in Bartholomew Fair,” Renaissance Papers(1993):
91-115. |
Published
Reviews:
|
December 2003 |
Book Review: The Essex House Masque of 1621, by Timothy Raylor,
Early Theatre 6.2 |
|
December 2000 |
“The Tempest at
the New Globe, Summer 2000 Season,” Theatre Journal 52
(December 2000): 553-54 |
Scholarly
Paper Presentations:
|
4/00 |
“Illyria: The
Musical: Adapting Twelfth Night for the Georgia Shakespeare Festival,”
Seminar Paper for “Shakespeare and Musical Theater,” Shakespeare
Association of America; Montreal, Quebec. |
Honors,
Awards and Grants in Support of Scholarly and Creative Endeavors:
|
Fall 2001 |
Alternative Assignment
Award, CMU
College of Humanities and Social and Behavioral Sciences: course release
time for completing research and publication of Masques of Difference. |
|
10/00 |
FRCE Research Grant,
Summer 2000 travel to London for research on Masques of Difference |
|
5/00 |
FRCE Premier Display
Grant.
Invited participant in Shakespeare Association of America Seminar,
“Shakespeare and Musical Theater,” Montreal, Quebec (see above). |
|
1991-92 |
James Phillips
Memorial Fellowship,
UCLA. |
|
1981 |
Winner, Southeastern
Region, American College Theater Festival Critics’ Competition. |
PROFESSIONAL
GROWTH:
Presentations:
|
3/03 |
“'A spectacle of
strangeness': Folk Sources for Jonson’s Masque of Queens.” Renaissance Society
of America, Toronto, Ont., March 2003. |
|
3/01 |
“Visuality and Ben
Jonson,” Poetry and Poetics: The First Annual CMU Festival of Language,
Mt. Pleasant, MI |
|
4/00 |
“Medieval Drama,”
Faculty Breakfast Lecture, St. Mary’s University Parish. |
|
4/00 |
“Illyria: The
Musical at the Georgia Shakespeare Festival,” Seminar Paper for
“Shakespeare and Musical Theater,” Shakespeare Association of America;
Montreal, Quebec. |
|
3/00 |
“It’s All About the
Benjamins: Editing the Masque for Undergraduates,” CMU English
Department Speaker’s Series. |
|
2/98 |
“Teaching The
Masque of Blackness at Spelman College,” The Southern California
Renaissance Conference Fall/Winter Symposium, U.C. Long Beach. |
|
3/98 |
“Teaching With
Technology,” Workshop Participant, Shakespeare Association of America,
Cleveland, OH. |
|
3/97 |
“Teaching Shakespeare
to the Class of 2000,” Workshop Participant, Shakespeare Association of
America, Washington, DC. |
|
4/96 |
Introductory Lectures
to Screenings of Hamlet and Othello, Shakespeare’s
Birthday Conference, DeKalb College, Atlanta, GA. |
|
3/96 |
“Being C.R.A.S.S. in
the Classroom” (group presentation), NCTE International Conference on
Teaching Shakespeare in Performance, Louisville, KY. |
|
8/95 |
“Investigating the
Catch in Twelfth Night,” The Center for Renaissance and
Shakespearean Staging, 1995 Conference, Harrisonburg, VA, 1995. |
|
3/93 |
“Versions of
Femininity in Bartholomew Fair,” The Southeastern
Renaissance Conference 50th Annual Meeting, Agnes Scott College,
Atlanta, GA. |
|
10/88 |
“‘Plesaunce Leefful:’
Holy Play and Christian Rhetoric in The Canterbury Tales,”
Graduate Student Conference on the Middle Ages, sponsored by The
Focused Research Project in Medieval Studies, University of California,
Irvine. |
Editorial
Reviews/Reader’s Reports:
|
2001 |
Silenced
Voices/Speaking Bodies: Female Performance and Cultural Agency at the
Court of Anne of Denmark, 1590-1619,
Clare McManus, for Manchester University Press. |
|
1999 |
The Singing and Acting
Handbook,
Thomas de Mallet Burgess and Nicholas Skilbeck, for Routledge. |
|
1998 |
The Tempest: A Case
Study in Critical Controversy,
Gerald Graff and James Phelan, for Bedford/St. Martin’s. |
Workshops
and Seminars:
|
6/98 |
Participant, Faculty
Resource Network Seminar, “Shakespeare and the Matter of Difference”,
Jean Howard, seminar leader; New York University. |
|
1997-98 |
Participant, Mellon
Faculty Workshop: Teaching in the Multimedia Computer Classroom
(year-long program). |
|
7/95-8/95 |
Participant, NEH
Summer Institute at the Center for Renaissance and Shakespearean Staging,
James Madison University. |
|
11/97 and 11/98 |
Participant,
Faculty Workshop in Teaching the MCAT/DAT Prep Course, Dr. Aftab
Hassan, facilitator; Office of Health Careers, Spelman College. |
|
6/93 and 6/94 |
Faculty Participant:
Teaching Writing in An Electronic Classroom, Spelman College
Comprehensive Writing Program. |
COMMITTEES
AND SERVICE:
|
Spring 2000-2001 |
CMU UNIVERSITY LEVEL
CMU Graduate
Council Committee, Secretary
member, Graduate
Research Fellowships Selection Subcommittee |
|
2002-03 |
CHSBS COLLEGE LEVEL
Grade Grievance
Committee |
|
Fall 2001-present |
ENGLISH DEPARTMENT
LEVEL
CMU English Department
Undergraduate Curriculum Committee (Chair, 2002-3) |
|
Fall 2000-Spring 2002 |
CMU English Department
Conferences and Speakers Committee, Chair |
|
2000-01 |
CMU English Department
Honors Committee |
|
1999-2001, 2002-03 |
Search Subcommittees,
Modern British Literature,
CMU English Dept. |
|
1996-99 |
SPELMAN COLLEGE
College Faculty
Committees:
Library Services (convener); Honors Program; SACS Workgroup on
Administration, Organization, and Corporate Partnerships; Academic
Integrity; Technology Workgroup
|
|
1994-99 |
English Department
Committees:
Departmental Website Design (convener), Literary Studies Curriculum
(convener), Senior Assessment Exam (design and reader), First Year
Composition Curriculum, Department Standards and Brochure, Student
Advising Brochure, English Major Design Review, English Major
Questionnaire Committee |
|
|
1989-90 |
Student Director,
Neo-Areopagus Society, UCLA |
|
|
1987-88 |
Reader,
Subject A Examination Essay Evaluations (UCLA) |
|
|
|
MEMBERSHIPS:
Renaissanc Sopciety of
America, Midwestern Modern Language
Association, Shakespeare Association of America, National Council of Teachers
of English
RESEARCH
INTERESTS:
Ben Jonson; the Jacobean
Masque; Shakespeare; Music in Renaissance/Jacobean Drama; Images of the body
in Renaissance literature; Theater history and Jacobean comedy; Theories of
comedy in theatrical literature
LANGUAGES:
Latin and German, Old and
Middle English, reading ability
COMMUNITY SERVICE:
|
2001 |
Broadway Players
Organizing Board |
|
1999-present |
Cantor, St. Mary’s
University Parish, Mt. Pleasant, MI |
|
1998-99 |
President, Board of
Trustees, The DeKalb Choral Guild, Atlanta, GA |
|
1998-99 |
Cantor, St. Peter
Chanel Catholic Church, Roswell, GA |
|
1996-98 |
Secretary, Board of
Trustees, The DeKalb Choral Guild, Atlanta, GA |
|
1994-99 |
Cantor, St. Jude
Catholic Church, Atlanta, GA |
|
1993-94 |
Cantor, Corpus Christi
Catholic Church, Stone Mountain, GA |
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