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TEMPORAL |
SPATIAL |
STANZA # |
DRAMATIC/THEMATIC
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Date: June 11, 1594; Feast of St. Barnabus |
|
1 |
Poet’s “own song” |
|
|
Landscape |
2
3
4
|
Invocation of semi-deities;
Muses, Hymen, Nymphs |
|
Time:
24 hours, from dawn to dawn represented by 24 stanzas
(23 + envoi)
|
Bride’s Room |
5
6
7
8
|
Awakening and preparation |
|
Season: summer solstice, first day of summer, longest
day of year — in Ireland, this means 16+ hours of daylight
|
Procession
through town |
9
10
11 |
External qualities, internal perfections of bride |
|
Central event/center of poem: Lines 216-217: “The
sacred ceremonies . . . which do endless matrimony make" |
Church/
Temple |
12
13 |
Wedding ceremony: human anthem and angelic choir |
|
|
Town Festival |
14
15
16 |
Wedding feast and dance — presided over by Bacchus |
|
line 300: “now night is come” |
Bridal Chamber |
17
18
19
20
|
Marriage further consecrated, then consummated |
|
365 long lines = days of year
68 short lines = sum of major divisions of year: 4
(seasons) + 12 (months) + 52 (weeks) |
Evening Sky |
21
22
23 |
Invocations of higher powers: Moon (chastity), Juno and
Genius (fertility), heavenly spheres, saintly home
|
|
Eternity: achieving an “endlesse moment” |
|
24
(envoi) |
Song as her “goodly ornament” |